It only took one full-length for Demilich to innovate and, in turn, perfect their brand of alien death metal. You'll then immediately notice that this is all but your conventional riffing. Demilich have opted to completely ditch the idea of creating riffs which would induce a physical seizure (unlike Morbid Angel or Sepultura) yet favored a much more pragmatic, and dare I say, musically profound approach which does not rest on any single instrument. Read and write album reviews for Nespithe - Demilich on AllMusic Sure, Demilich doesn't change tempos quite as much and it's not as jagged and jarring, but they have a tremendous wall of sound from track one to track eleven. Nespithe was ahead of its time and still sounds fresh and highly original 16 years after its initial release. Death metal’s trademark aggression is filtered through a labyrinthine network of time signatures and the sort of dissonant harmonies you may expect to mind in modernist classical music. Demilich: Nespithe ‎ (LP, Ltd, RE, RM, Gre) Xtreem Music: XM 060 LP: Spain: 2009: Sell This Version: Recommendations Reviews Add Review [r3057305] Release. I already mentioned the guitars, but so much else is altered to fit the demented outlook of this album. Identifiable recursive song structures are nonexistent. Drumming exists to provide some killer groove as they drift into unknown dimensions. So what does Nespithe sound like? Oh, and another thing, the song titles on this release are out of this world. This album was the only album released by the Finnish death metal band Demilich, and is considered by some to be a hidden gem of death metal. However, Demilich will never be forgotten with the release of 1993's "Nespithe". I've been listening to death metal for a long time, and I've yet to find an album that sounds like this. It really is something worth getting into and it grows on you like some freakish Lovecraftian blob parasite feasting on your essence (or some other crazy shit like that). If non-humanoid space aliens ever sent a probe to our solar system with a golden record of their finest music, it probably would not be far off from Demilich's Nespithe. This album really is like none other. 20th Adversary Of Emptiness 2CD - incl. Has anyone ever talked out of his or her small intestine? The titular musician is beset by the floundered student, and attempts to explain to him all of his troubles, but is overcome by the music so much that he is killed by the other forces, but is playing his melodies even after death, to ward his corpse of evils. But believe me, once you got yourself acquainted with their type of riffing and Antti Boman's vocals it will be just a matter of time until you start spending more and more time on that outer world they create in your room. To me, the demo tapes were old slabs of beef, and the music were the maggots slowly eating away at the decaying flesh. The musicians are professionals who apparently grew tired of the bland and talentless death metal scene that emerged in the early 90's, so they took matters into their own hands, sat down and built (and I deliberately use that word) the most intricate, dissonant and virtually impossible to listen to record. God was I wrong. Every instrument is always perfectly audible, and the bass tone alone will leave any Metal fan salivating. Nothing could be a greater mistake than avoiding what is being presented on this record based on what its surface elements look like on paper. The sound present here is technical yet atmospheric, heavy but also melodic and chaotic yet very well ordered. It is a bit of an odd thing that I not only checked this album out, but actually gave it enough listens to fully grasp the genius behind it, because I am usually impervious to the fierce word of mouth propaganda that led to my doing so in the end. These riffs are spiny and jagged with the guitar rhythms themselves being very snaking and rumbly with a heavy emphasis put on the low end of the music to emphasize the sliminess and ugliness of their music to its fullest extent. Just try and listen to this album with your eyes closed without feeling the creeps. Labels: Necropolis Records. Cryptworm – Reeking Gunk of Abhorrence (2020) | REVIEW Merging the competitive sport of primitive drop-tuned, filth-choked death grooves with singularly resolved Demilich ian six-angled concepts this Bristol, England stationed death metal duo re-emerge from a complex web of slime and hair with a far more substantive and memorable second EP. Genre: Death Metal. But as terrible as it might be it is not unlistenable (or whatever the proper adjective is). The pace of the album seems to be smooth the entire way through, regardless of the occasional blasting and non-shred solos, progressing at a medium pace, which is possibly why the album doesn't sound like a complete cacophony. Album Rating: 5.0heres my gay review for this album guys fuck you im drunk, Album Rating: 5.0yeah shit and piss and blood It's to illustrate a point - to draw a parallel between my discovery of heavy metal and my discovery of this album. 0; Weight: 170.00 g. Band: Demilich. It sounds like Autopsy on acid. Anyone who has any sort of ear for production would hear immediately that the drums are far too low, the vocals are stilted and not centered, and the guitars are so spaced left and right, and have so little distortion that the resulting sound is one of airy weakness. This album really is like none other. It's the voice of a subconscious mind. The album was released in February 1993 by Necropolis Records. If that wasn't weird enough Antti Boman starts...well, singing. Everything about the album is shrouded in obscurity: The winding, atonal guitar melodies, the unpredictable song structures, the ridiculously deep burpy vocals of Antti Boman, the disturbing yet intriguing album cover, the nonsensical song names and lyrics, it’s all made to look, sound and feel as alien as possible, yet it all makes sense. The drums complement these interesting riffs with spontaneous tempo changes and weird comps. It is typical in death metal for the vocalist to rely on aggression and volume to get his point across; Boman goes for something different entirely. A landscape cluttered with fire, brimstone, tentacles, and weird, multi-limbed monstrosities certainly comes to mind as you wander through these ever-shifting labyrinths of odd, often dissonant progressions that constantly twist away from your attempts to comprehend them. Think back to early Scandinavian extreme metal and one immediately thinks of Sweden - Bathory, Nihilist, Dismember, Entombed and so on; Finland rarely comes into it. Yes, Nespithe is just that great. Excluding bands like Atheist, Cynic, Nocturnus and others that were recognizable and are experimental and technical, most bands were/are pretty much traditional and devolved from the thrash metal influence to perfect the genre; with blast beats, death growls, fast guitar-picking and bass. No offense to Demilich, but I figured that none of their albums would sell well. The rhythms ebb and flow with fluidity like a river current, much unlike the straightforward rampage you would expect to hear from a death metal album over twenty years old. The drumming on this album is really balanced well. The playing is superb and I can hear similarities between the playing of Boman and Hytönen to that of Schaefer and Burkey from Atheist, and Mameli and Uterwijk of Pestilence. The vocals, for example, are similar to Bill Steers backing vocals in Carcass' older albums but just that bit lower, and less human. Overall I would say the average death metal fan might not find this album intriguing, although there is no denying the fact that Demilich have produced something which is absolutely distinctive and maybe even unrecognizable. Yep, the guy sounds like he downed a whole case of beers immediately before delivering this one of a kind performance. The vocals are not intended to be the focus of the listener; instead, it adds a thundering resonance beneath the miasmatic riffs, quiet enough so that they never get in the way of the album’s strongest suit. The bass is very good, very audible and with deep tone, sounding at times as if it was a second guitar. I can see why this album is thought of as a classic death metal album. Then to top things off you may begin to talk to about vocals that sound like a cross between belching and frog vocalisations, and you can be sure to have given me a mental image of an album I will certainly never give the time of day. The demo works had, as another review put it, a putrid, rotten sound. DEMILICH - Nespithe (TS) T-shirt High Quality Silkscreen Print, 10 Colors, Big Front Image Band: DEMILICH Title: Nespithe Condition: new Colour: Black Material: Cotton 100% Ask for other sizes ----- - Registered worldwide airmail shipping with tracking number - Safe packaging nile 24,99 € – 26,99 € Nespithe LP - 1st pressing! The production is also seemingly bad, in comparison of the compilation of demos and "rarities" that is Em9t2ness of Van2s1ing / V34ish6ng 0f Emptiness, which although sounds more like djent, it sounded better. I don't understand the legal situation as to why this was a free download, etc., but I do know that the band members were very upset that the rerelease of Nespithe and their first demo didn't sell well. However, it all holds together in a way that's not just technically impressive, but also manages to maintain a bit of swing to the music with the rhythms never devolving into formless clatter, always keeping their monstrous forms intact and coherent. How can someone make this assertion though? Album Rating: 5.0incantation onward to golgotha And all this without taking Antti Boman's vocals into account. Nespithe is so drastically different from the common death metal of 1993 that it boggles the mind. Instead, it’s very clear, and that clarity makes every other instrument on the album that much more audible and discernible from each other. Then we have the vocalist. First off, I highly recommend anyone not familiar with this band to visit Demilich's official website and download this, and all their demo material. Listeners have described his delivery as anything from a low guttural to a controlled burp, and they wouldn’t be wrong either; the man’s vocals are almost indiscernibly low-pitched, and quiet enough to slip right by an inattentive listener. Yet what also makes these riffs so great is how well they work in conjunction with the drums. Additionally, the lyrics and song titles add to the eerie feeling of the "thing". The best path to originality, on the other hand, is simply to have a unique point of view. If anything, the transitions are one of the most important factors that accentuate the catchiness of each riff. Demilich I realise that it will never be within my writing abilities to properly convey the majesty of this album's songwriting and performance, and that to many it will continue to be a candidate for dismissal based on it supposedly being just anothter faux-"strange" technical death metal album with too much of an emphasis on melody and vocals that to many can't possibly be taken seriously either by the person who performed them or the confused listener wondering what it was they were meant to accomplished. I mean, yeah, you've got Gorguts and their dissonant stuff, but it is not as atmospheric as this here. Perhaps one of the most remarkable things about this record is just how different it sounds to the rest of what this unremitting genre has to offer. However, Demilich will never be forgotten with the release of 1993's "Nespithe". The vocals are also one thing of note. The bass here is written very purposefully and does not always follow the guitar line as in common in much of metal music, even sometimes taking the lead which is more noticeable in tracks such as "The Cry". After listening to the first few seconds of the opener “When the Sun Drank the Weight of Water”, you know you are in for something quite different and unusually strange. For its ability to present a wealth of satisfying songs based on a bonkers approach to music that has no business working as well as it does, Nespithe is an essential listen. An amorphous horror creeping towards your brain, devouring your will to live along the way, letting you sink into a nice safe zone to be devoured by this album eternally. Demilich - Nespithe music album discussion and ratings. The distortion they use is one of the best I've heard, and along with the odd riffing it only ads to that otherworldly feeling. It's sort of like the death metal answer to psychedelic rock. 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