2:33 Shure KSM9 Only Web site designed & maintained by PB Associates & SOS. Nice to know, that. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). The Neumann KMS105 is another live handheld condenser mic. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. KOHN MUSIC STORE. The KSM8 is not necessarily an upgrade. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . Where you hold the microphone in relation to your mouth can make a big difference in sound. Always works in a rock setting. This means an even, predictable low-end as the distance from the mic changes. Second, nonetheless very important feature is a unique grille design that does an impressive job in reducing popping sounds. It might be just what you need to take your sound to the next level. KSM8/N: Superior dual-diaphragm dynamic microphone with a brushed-nickel finish. The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. You wont have the super resilience of a dynamic mic. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. Great write up. A Sweetwater Sales Engineer will get back to you shortly. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Sweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. Available colors: User rating: 71. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. As does the KSM9, the HS employs a dual-diaphragm, prepolarized, 3/4-inch capsule . The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. . Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Also, what's your use case, as this will probably help us guide you towards to best choice! Its priced for pro users, but the KSM8 is a beauty of a mic that ditches the all-rounder status in favour of vocal live performance and reinforcement duties. By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. the Telefunken M80). The Neumann KMS 105 is a great choice for studio vocals. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Shure KSM9 is a professional on-stage condenser mic. The Shure KSM9 could be the best choice for someone who wants excellent sound but cannot afford a Neumann kms 105. The Shure KSM9 is also a great microphone, also it may be less expensive than the Neumann KMS105. Any artist or singer who has enough money for professional gear could use KSM9. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. Hi Peter In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. This dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. . This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. General Description. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. On the surface this mic looks very similar, with the same sleek design. With solid internal engineering, it handles noise and feedback well. shure ksm8/n; . Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. The KSM9 boasts a wide frequency range from 50 Hz to 20,000 Hz. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. In Europe, call 49-7262-92490. The switchable polar pattern means its versatile, and can easily adapt to your situation. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. 25 Feb/23. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Essential was founded with a belief and mission to empower people through design. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! Save my name, email, and website in this browser for the next time I comment. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. What else do you need for your home recording studio? Now available as a wired microphone, it's available both in champagne silver and charcoal black finishes. Its a departure from their simply constructed dynamic live mics. Varying the labyrinth delay time slightly leads to other directional patterns, such as hyper- and super-cardioid, where the null angles are offset either side of the rear axis at 110 degrees and 126 degrees, respectively. Theres nothing quite like knowing your audience are listening to a high quality sound. Theyre probably best-known for their affordable handheld dynamic stage microphones. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. This model is renowned and remains a favorite choice of many musicians. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. They call it a three-stage grille or simply triple grille. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . More about the different types of microphones here. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. Their ability to reproduce sound so accurately is why they tend to be used in studio recording. Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. Unusually for a stage vocal mic, the response is largely flat between 100Hz and 10kHz and the substantial presence peak found in most stage vocal mics is absent in the KSM8. I think the champagne looks very chic! Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. It has a very clear sound with a lot of detail, making it perfect for recording vocals. The switch is under the grille. Its one of those things that comes down to personal taste. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. All rights reserved. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. This mic offers dynamic lows, balanced mids and sparkling highs. Good Luck! This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. When you purchase through links on our site, we may earn an affiliate commission. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. For many live situations, a decent dynamic mic may be good enough. You can email the site owner to let them know you were blocked. With this taken care of, theres many advantages to using a condenser mic. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. 210.65.88.143 Our robust and effective solutions create market success. This means theyre prone to overload and distortion from louder singers. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . This makes them very different types of mic, each with their own internal circuitry. The science behind the Braunmhl-Weber capsule is a little complex, but if you want the full story with all the maths, Shure have produced a detailed white paper on the science and practical effects of the dual-diaphragm capsule, which can be found here: http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf. At a similar price, therere many comparisons to be made between the 105 and the KSM9. Re: Shure Beta 87c Vs. KSM9. Whereas condenser mics are active meaning they need something called power phantom power. As a condenser mic, the Shure KSM9 requires phantom power. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. None. A25E. The latter also feels more nuanced and detailed in its response. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. In the meantime, I want to focus first on the development of Shures remarkable new microphone. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Click to reveal Great site. Forums for Audio Professionals, Run by Audio Professionals. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . This mic has all the detail and nuance that youd expect from a studio condenser. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, Die-cast Aluminum with Paint or Brushed Nickel Finish, Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9, Black Foam Windscreen for KSM8, SM85, SM86, SM87A, Beta 87A, and Beta 87C, Black Replacement Grille for KSM8 Wired and Wireless, Brushed Nickel Replacement Grille for KSM8 Wired and Wireless. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. No one has been able to do that before now, and Shure proudly describe it as The most significant dynamic microphone technology advancement the industry has seen in more than 50 years.. Follow us. Features. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. The KSM8 grille is lined with a permanently-attached hydrophobic cloth. Sound Quality. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! Theres no on/off switch on the KSM9 or any of the Shure KSM range. Unlike with other mics, both patterns of KSM9 work flawlessly. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. What's the problem with your 58? This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. I prefer the KSM9 over the Beta87C. Popular comparisons. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. The output of these capsules is manipulated electronically to support two pickup patterns . The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. SM58. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. They must maintain this distance in order to avoid variations in tone. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". I work with a female vocalist who is looking to upgrade her microphone. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. He specializes in literature and creative writing, with a focus on fiction. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. KSM8. DUAL DIAPHRAGM TECH. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. 10 Albums That Are Complete Masterpieces According to You! Shure KSM9 vs Sennheiser E965 for Vocals. Your IP: A Sweetwater Sales Engineer will get back to you shortly. I think its fair to say, condenser mics are generally most at home in the recording studio. It also helps to counteract the proximity effect. And lets hope youre not positioned next to the drum kit! The Neumann KMS 105 is a condenser microphone that has been designed for studio use. It is made from high-quality components, which ensures that it delivers excellent sound quality. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. From a practical perspective, with virtually no proximity effect the on-axis sound character doesnt change with source distance, so the performer enjoys a much larger and more consistent sweet spot. However many singers and sound engineers find themselves needing to upgrade to something a bit more hi-fi. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. It is also nice to admit the technological advancements implemented in this unit. #Sweetwater #Shure Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. I also noticed how the mic bodys tapering shape and weight distribution automatically guides a natural hand position well away from the grilles rear entry ports. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. Wed love to hear from you. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. KSM8 in Nickel (G50) KSM8 in Black (G50) KSM9HS (G50) SM87 (G50) SM86 (G50) And don't forget about the optional SB900A rechargeable lithium-ion batteries . This might also be a good setting for backing vocals, to get more separation between neighbouring singers. If you want the best quality XLR cables, try these. In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes.
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